well, it's time to list those things you never want to see hollywood do again. ever!
as I have a lot, I will break mine down by genre. this is purely optional
action/adventure:
never, ever put the hero in a situation where he must choose who to save, only to have him save both:
if you lack the testicular fortitude to make the hero choose, and to kill off the loser, you should write crappy, sappy romantic comedies that serve no purpose other than to rob me of $8 and get my girlfriend in a romantic mood. that's it. stay away from anything else.
never ever give a kid a speaking role:
they suck. they are always annoying. just leave them out, and put some cute 19 year old cheerleader type in. they are also annoying, but at least they look good.
no more slow motion, bullet time, or wire-fu:
it's been done. come up with something else. it just looks stupid now. martial arts is only exciting when it is at least remotely realistic, and wire-fu just feels like pro wrestling (fake, boring, scripted crap) and bullet time just slows down what could have been a cool action sequence, and is equivalent to...... p..e..o..p..l..e...... t..a..l..k..i..n..g...... v..e..r..y...... s..l..o..w..l..y. even before bullet time, slow motion was overused. it should be used rarely if ever, and only when there is good reason. filler and lack of directorial ability are not good reasons. case and point; action should feel real.
never have a hero out running an explosion:
explosions travel at outrageous speeds, far beyond any human could ever dream to reach, outside of a jet aircraft. and for all other possibilities, see the previous rule.
stop skimping on the story:
explosions and fisticuffs do not make a good movie. they make a fun bbq on a saturday afternoon, but not a good movie. if you can spend $50 million on special fx, I expect you to pay more than $29.95 for a cut and paste script.
no more bottomless clips:
yeah, I know, he's reloading while I'm not looking. right. look, taking the extra minute to count the number of rounds fired during editing is worth it. if the hero is using a revolver and fires 17 rounds, it just doesn't feel right. Hollywood has gotten better about this, as they have learned that reloading allows for dialogue, as well as suspense. but they still have far too many jesus guns (from 2 bullets came 2 thousand, it's a miracle)
horror/suspense/thriller:
no more slasher movies:
they suck. they are the lowest form of crap. I am about ready to do some slashing of my own. this gripe requires no more explanation. it's a no brainer.
less ewww and eeek, and more oh my god, and holy crap:
almost all horror(ish) movies rely on either gore or cheap surprises. both are pathetic when compared to more cerebral thrills and chills. seeing someones head melting or having something pop up onto the screen is crap. the reaction these movies create should come from the story, the characters, drama, the atmosphere, the suspense, the slow realization of just how sinister the villain really is. attack my mind, not my reflexes.
stop making generic, 1 dimensional bad guys:
monster movies and creature features are only as good as the monster or creature they are about. this means, the creature must be interesting, and must hold my attention. give it some personality, some depth. bram stokers dracula was great, because I actually wanted to see more of dracula. he wasn't just an evil killing machine, he was a tortured soul, a tragic figure, someone you would pity as much as fear. without something like this, it might as well be something that escaped from the zoo.
if you cant do it right, don't do it at all:
vampires aren't killed by sunlight, they just need sunglasses. oh, and even though they are hurt by crosses and holy water, they have nothing to do with god or anything. yeah. if you have to break all the rules, or cant make the creature look like something that isn't retarded *cough*werewolves*cough* then make something else. you're just wasting everyones time and money.
no more overthetop plot twists that defy all logic:
some of those damn thrillers are worse than soap operas. "that's my evil twin sister" "I thought she was dead" "she is!" uuuggghhh! make it go away! if it isn't logical, if it isn't believable, if it isn't obvious once you know what to look for, leave it out of the damn movie. if you do not understand, then just run every script past someone who isn't a retard by simian standards. there are smart people out there, they just tend to live outside of hollywood.
bring back mysteries:
the thriller has replaced the classic mystery. that is wrong. bring back the intelligent whodunnit. now! I don't care if brain dead audiences don't like them, you can afford to make movies that arent about big box office numbers. that's why you always release some godawful tripe, overblown bio-pic, or political propaganda during oscar season. no one goes to those either.
scifi:
no more wars between man and machine:
someone has to stop programming all the robots to kill the humans.it's really getting out of hand. it was kind of interesting once, long ago, now it's just laziness. please find another dead horse to beat.
never write about aliens invading without considering what they want, and how they would really do it:
aliens smart enough build an intergalactic starcruiser have probably figured out how to shoot things from orbit. and, I doubt very much they would bother invading earth, if they are allergic to water. and, they probably don't have to infiltrate and disguise themeselves as us, if they can just show up and start blasting. when the only good depiction of hostile aliens in years is in a video game (Halo
don't let anyone become their own grandfather:
time travel is always screwed up. don't use it any more. maybe a few decades from now you can revisit the idea, once it's had some time to rest, and people have forgotten all the crap. until then, no more!
it's the end of the world as we know, and I feel gypped!
no more post apocalyptic dystopian futures. seriously, I'm ready for the end of the world if it means I never have to see this one again.
damn that corporation:
the evil corporation.... oooooohhhhh. look, we get it, you hate big faceless multinational companies. there is nothing worse than hearing about "the corporation" a company so evil, it doesnt have a name. this cliche has gotten worse than the big nasty conspiracy (still none of those either, ok?)
there isn't even time for all the other scifi cliches. look, you know what I'm talking about, go punish yourself!
comedy
ok, we get it, you're a dumb@$$:
stupid people are only funny for so long. and only when they are written by intelligent people. after dumb and dumber, and maybe beavis and butthead do america, there is nothing left. they cow has been milked dry. please come up with something else
my, isnt that nice, he's eating dog $#!t:
jokes that revolve around this reaction: "EWWWWW" should not be targeted at anyone who has passed the 3rd grade. this rule should be made law, and violations, punishable by disembowelment.
well I never!
yes, sacred cows do make the best hamburgers, but only when it feels real. when a movie just tries to be shocking for the hell of it, or worse, when they feel they must only offend groups that aren't protected by pc thugs, or worst of all, when they hold back and deal out moderately offensive jabs at every groups in equal proportion, so as not to alienate an audience, that just makes me want to puke. it's pathetic and a clear sign that someone doesn't have the balls to go all the way.
that's enough for now, let's see what you guys think

