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The Dark Knight (2008)

Where do we… begin?


Following up on Batman Begins was by no means an easy task. Begins took the fledgling series and gave it a complete makeover. The creepy gothic tones of Burton’s movies and the campy fetish nature of Schumacher’s movies no longer mattered. Begins brought the series back to reality. A greater focus was put on the character of Bruce Wayne and less on the suit itself. The result: one of the best superhero movies and a superior crime thriller.


With The Dark Knight, director Christopher Nolan and his team have outdone themselves.


Knight follows Bruce Wayne (Christian Bale) as he tries to bring down the remnants of the mafia from the last movie. He receives plenty of help from Lieutenant Jim Gordon (Gary Oldman), his unofficial liaison of sorts. They receive additional aid from the new D.A., Harvey Dent (Aaron Eckhart), a straight-arrow type who is in a relationship...

For Your Eyes Only (1981)

After James Bond went into outer space, the filmmakers decided to reverse course and bring Bond back to his roots. New director John Glen and co-writer Michael G. Wilson joined the hierarchy and helped shape the 12th film, For Your Eyes Only, into an entertaining action-adventure film that stayed closer to Ian Fleming’s roots than had been seen in some time.


The story, which involves Bond investigating the disappearance of a missile control system called the ATAC, draws its inspiration. The title story and another short story called Risico are fused together. Bond follows the trail from Spain to Cortina to Greece. He encounters the beautiful Melina (Carole Bouquet), who is out for revenge against the people who ordered her parents’ death because they were too close to finding the ATAC. Bond also meets Kristatos (Julian Glover) a supposed British contact who is in fact working for the Russians and has set up Bond to kill his rival Colombo (Topol), a fact Bond does not realize until it is almost too late.


Swing Vote (2008)

Swing Vote plays as a fantasy we’ve all wondered about. No presidential election has ever come down to one vote (the closest we ever got was 2000), but what would happen if it did? Swing Vote attempts to answer that question while also bringing up some messages about the importance of family and the value of voting and civic duty and all the issues we were raised with in school.


The premise involves Bud (Kevin Costner), a man who lives a dismal life in New Mexico working at an egg planting plant by day and getting drunk by night. His daughter, Molly (Madeleine Carroll) is the one bright spot in his life and she seems to act more like an adult than he does. He is a man who does not see the point in voting and it is thrust upon him by his daughter to do it. Through a series of exceptionally contrived circumstances, his vote is the deciding factor for the five electoral votes of New Mexico and, oddly enough, the presidency. Because his vote wasn’t officially counted...

The Mummy: Tomb of the Dragon Emperor (2008)

People who thought a fourth Indy movie was unnecessary might want to take a look and see The Mummy: Tomb of the Dragon Emperor because it personifies unnecessary. The series has always played as a limp second-rate offering compared to the Indy series, both in style and execution. Brendan Fraser isn’t anywhere near Harrison Ford and the imagination present in the Mummy series isn’t anywhere near the same league. The first movie did have a charming quality to it and it was kind of fun, but the sequel and the spin-off, The Scorpion King, were painful to sit through. This latest offering continues the downhill slide.


The story, primarily set in 1947 (except for the prologue) involves Alex O’ Connell (Luke Ford) helping resurrect the long-lost dragon army, which was, at one time, the most powerful empire in the ancient world. Little does young Alex realize that he is being used to resurrect Emperor Han (Jet Li). Emperor Han hopes to achieve immortality, something the witch Zi Juan (Michelle Yeoh) knows about. Of course, things start...

Moonraker (1979)

Moonraker , the fourth Roger Moore entry, goes about as far beyond the Ian Fleming source material as any Bond film to date. I mean, he winds up in outer space during the course of the film. The filmmakers wanted to make a spectacular motion picture and on some level, they certainly succeeded. The enormous success of The Spy Who Loved Me, another spectacular spectacle, encouraged them to take it one step further. Moonraker shows some promise in the early stages of the film before it starts shooting itself in the foot.


The story involves Bond investigating the hijacking of a Moonraker space shuttle in mid-air. He soon learns that the creator of the Moonraker, Hugo Drax (Michael Lonsdale) is responsible for the theft, but Bond cannot figure out why. He travels from California to Venice to Rio before eventually ending up in outer space. Along the way he encounters CIA agent Holly Goodhead (Lois Chiles) and his old nemesis Jaws (Richard Kiel). Almost nothing from the third 007 novel survives the translation. Aside from the villain and the involvement...

X-Files: I Want to Believe (2008)

On paper, it must have seemed like an easy idea to bring the players from X-Files for one more reunion. Director and creator Chris Carter must have been encouraged by the success of the Sex and the City movie as his movie neared its release date. What a shame it is, then, that X-Files: I Want to Believe isn’t worth the celluloid it is printed on.


I will confess up front that I never watched the TV show, nor did I watch the 1998 theatrical release. I know the basic characters and their general positions on whether or not there is life out there beyond our own planet. Fox Mulder (David Duchovny) is the believer; Dana Scully (Gillian Anderson) is the skeptic. Little has changed, I guess, from the TV series.


That’s another problem. If you want to make a theatrical release based on a TV show, that’s fine, but you’d better make it a good story. X-Files falls well short of the mark. There’s nothing all...

Step Brothers (2008)

I’ll give Step Brothers this much credit. It knows how low and how crass it really is. There is little to no taste to be found in this movie, and the filmmakers take pride in this. I’d take pride in it too if I had a reason to give a damn what happens during the course of this movie. There are moments when it almost seems like there might be a heart beating, and then it does a complete one-eighty and does something incomprehensible and counter-productive to the progress of the story. There is an eventual reality check for this movie, but it comes too little far too late.


Part of the problem with Step Brothers lies in the two main characters, Dale (John C. Reilly) and Brennan (Will Ferrell). The script, written by the two stars (Reilly with a story credit) and the director, Adam McKay, goes out of its way to make these characters as unlikable as possible. Both of them are total narcissists with no concept of reality. They live vicariously through their parents (Mary Steenburgen, Richard Jenkins) and...

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